Applies to ALL products in the SBG Sword Store!

Polishing Without Zen

Polishing and sharpening a sword is something that most colectors thing is hard. In Japan, there are specialized sword polishers called Toshigi - an artisan as equally skilled as the smith who forged the blade, polishing it in a process that often takes several weeks..

Well, that's fine for high end Nihonto. But not really appropriate for a $50 Musashi Sword - or any of the affordable blades that we tend to focus on at SBG.

Here's an easier way to polish any blade to a mirror finish and razor sharpness using simple household items. Try it and you will be surprised..

Polishing WITHOUT Zen..

By SBG member Aussie Rabbit

Not to be confused with polishing with Zen – in which you must climb Mt Fuji to gather Japanese water stones so fine they glitter in the sun. Thereupon to polish the Hamon until the Yokote gleams with an inward light.

Lets get a little serious here, we are not dealing with blades that are hundreds of years old, almost all the blades we deal with are made from modern steels in Chinese sweat shops where the workers get a few dollars a day.

Since I have been collecting sharp things for 50 years I have some experience with the care and upkeep, collecting and use thereof.

So here we will take a 5160 Hanwei Raptor Wak. That should have been scrap and make it presentable, here is the beginning:

As you can see this blade has everything, rust, grind marks, bad geometry and a list of other faults too numerous to mention.

So here are the requirements -

One or more sheets of glass, approx. 18” x 12” or 300mm x 450mm, not window glass, you need plate glass or shelving glass 6mm or ¼ inch thick, (have the edges ground so they are not sharp) next you need sheets of wet-or-dry paper beginning with 600 grit and up, 1200 is where I stopped on this project but if you wish to put in the effort you can go higher.

Spray adhesive, 3m, Sellys or any good adhesive, the cheap brands are not water proof, now spray the glass sheet and the back of your paper, wait 5 minutes for the glue to become tacky, carefully place one edge squarely on the glass and roll the paper across with a bottle or similar so as to avoid any bubbles. You only get one try, if you miss apply you will likely need hot water and a scraper to get it off.

Here I have used a glass cutting board as the demo -

Next you will need a container and a dipper, raid the kitchen cupboard for both, fill the container with warm water and some dish detergent, (just a few drops) this lowers the surface tension of the water and floats away particles.

Place damp newspaper on the surface where you work, the kitchen bench is NOT ideal, news print will stain the bench and anger the one who wipes up. I have a set of steps and a stool outside where I work .

Place your glass sheet on the newspaper and ensure it does not slide around. Pour a little water on the paper with your dipper.

Now take your blade and place on the glass thus.

If you do wish to use this technique to polish a sword with appleseed bevel or niku, with the smooth even motion already mentioned, you lift the side opposite the edge you are working on. It's not anywhere near as easy and practice makes perfect with that one. Using the credit card technique you can find your starting and finishing angles, and also importantly the geometry of the convex. To maintain the geometry you want to work the surface of the curve evenly.

The majority of blades we deal with are flat ground, other shapes such as “appleseed” and Shibata are too time consuming for cheap blades, if in doubt take a credit card or other straight edge and place it on the blade, if it rocks or if you can see light through the middle do not continue!

Now with the blade flat push the blade forward and diagonally away from you holding the blade with your fingers on the back edge and in the middle, you should end up here. Use light to firm pressure, release the pressure and drag the blade back, repeat moving the blade a little lengthwise, it's an easy rhythm but don't rush.

10 minutes on one side the flip the blade and begin on the other side, continue until the whole surface has the same level of shine.

You will see particles float on the water near the edges of the paper, this is the metal you are removing.

Now switch to the next grade of paper, 800,1000,1200 or higher, each time you will be removing the polishing marks from the previous paper, at 1200 you should be able to see yourself in the blade.

SPECIAL NOTE: At 1200 grit your blade is past “sharp” and heading towards “shaving” - be careful, you have wet hands and a wet blade, a slip here is likely to ruin your day!

The perfect polish and that Showroom Shine..

Here we will need to make some tools, the first is the slik-stik, used in our family for generations and likely known in other places by other names.

You will need:

Old leather belts or harness type leather, approx. 450mm or 18” long by 25mm to 50mm or 1” to 2” wide.
Good heavy cow hide, nothing soft.
Strips of shoe leather is ideal.
Some timber strips 600mm or 2' feet x 6mm ¼ inch or thereabouts, good straight grained timber that is flat, flexible and not prone to splinters.

Glue the leather to the timber, you can use the spray adhesive here too but use two coats letting the first dry for an hour or so. You should end up with something like this. Leave for 24 hours, you will need at least 3.

A simple 'slick stick'

Polishing compound/paste – Choices here are many.

My suggestions are:

White Blizzard compound.
Mothers Mag polish
Autosol Gold and extra-fine

Mark your slik-stiks with the compound you use, never mix different polishes on the same stik. Apply compound to the leather working the compound through and leave to dry, do this two or three times.

In use slik-stiks will clog after some time, scrape off the excess with a paint scraper or plastic card, do not cut into the leather as this will ruin the stik.

Clamp your sword to your work bench using quik-clamps with plastic jaws, aim to work on half a side at a time.

Working from behind the edge place the stick on the sword and with a two handed movement push the stik forward at a diagonal so you stroke 1/3 of the area you are working on, repeat moving the stik a little further along each time.

Keep the stik flat on the surface, you will be able to see this as the compound works on the blade, always lift the stick on the back stroke or you will have cuts in the leather which makes the stik harder to work with.

Lifting the back of the stik just a couple of degrees will polish the edge, try this with one of your kitchen knives and you will be surprised at how sharp they become.

When you have done that half re-clamp the blade and do the next half, turn the blade over and do the second side, when you have finished wipe the sword and inspect, change to the next finer slik-stik if you are satisfied.

For a final polish you can use jewellers rouge.

BEFORE

AFTER!

Variation - Polishing with a bit of Zen..

Inspired by the basic technique in this article, Mr. Tom Lauten decided to try and experiment - and came up with his own variation of the basic technique..

I'll let Tom tell his story below:

'I have recently (past 18 months) gotten in working with Japanese blades. Eventually I needed to polish/sharpen my blade. I find working blind on a stone with the polishing surface facing down is something I can struggle through but it feels so counter intuitive.

I used your “slick stick” idea and it felt “right”. I decided to try polishing my blade with a fine file to get the cheap, no longer needed “beater” blade back into a less “lumpy” state. I then used 400-600 grit wet and dry on a purpose made block to begin the polish.

I made a slick stick for wet and dry and continued to “file” the blade with this moving up and up the grits to 8000. I then use a metal polish on a slick stick or rigid strop paddle.

With the polishing face being upward I find I can use my model makers intuition and my eyes and hands to judge the polish and “feel” the surface. However I needed a way to hold the blade so I could work on the flat of the blade perpendicular to the floor…hmmm…

I came up with this. A piece of timber I could clamp in a vice. On this board I fitted flanged neodymium magnets. To protect the surface of the blade I impregnated some heavy upholstery webbing with liquid silicone rubber and wrapped it over the board and magnets.'

'Now I have a jig that allows of positioning the blade with its cutting edge hanging over the edge of the board allowing for filing and polishing. The rubber protects and helps grip the blade and keeps the filings from adhering to the magnets. The cover can be easily lifted off to rinse clean.'

'The jig holds the blade solidly and securely. Now I can observe each and every stroke of my “polishing paddles”, I can feel the change in texture of the metal and can judge how and where I polish. I’m quite proud of my “invention” based on your “PWZ” approach. I’ve NOT improved polishing but this made it more within my comfort zone and so far I’m VERY pleased with the result.'

I hope this information on sword polishing has been helpful. To return to How to Sharpen a Sword from Polishing Without Zen, click here